Adam heads for the sky |
The author as book cover |
Adam Diment’s greatest creation was himself. Whereas Ian
Fleming liked to
pose with a firearm now and then, just for a bemused homage,
Diment seemed to have fallen full-born from the pages of his own spy novels.
There he was, draped in scarfs, tall, long blonde hair,
leaning against a sports car, with a detached attitude that suggested drug-based
dissolution. The fact that it was confected and stage managed only added to his
appeal.
The young women who appeared throughout his promotional photos
were, one might conjecture, paid for their services, including cab fare. That
too is immaterial.
Always the women |
Adam D: Partius Maximus |
After his last novel, he vanished. Poof! Never to be seen
again. “He’s in Zurich!” “He’s in London.” “He’s dead. “There was talk of
criminal proceedings; that he changed his name; that he became bored with fame.
Who was he?
Oddly, the story of Adam Diment has no protagonist, no hero,
villain or love-interest. There’s no linear plot development or character
exposition. No forward movement. Rather, with his billowing sleeves, satin vests, and bevy of hippy chicks, Time has left him unscathed. He’s a dandy in aspic.