Showing posts with label jean paul belmondo. Show all posts
Showing posts with label jean paul belmondo. Show all posts

Tuesday, October 19, 2021

Anna Karina: The Importance of the Moment


She didn’t belong with the hippies. She wasn’t rebelling. She wasn’t stoned. With Anna Karina, you could see the love of life was on her face, even when bathed in a vale of tears.


There seemed to be a Zen-like acceptance of the here-and-now, no yesterday and maybe no tomorrow.  Her pursuit of the present was irresistible.

She might dance now. She might cry or adjust her beret. It was the ‘moment’ and you couldn’t look away. There was no need for a narrative or three-act structure or character deficits. There was just Anna.

It was a charmed life (often the gods are kind to those with no agenda)...as if the French New Wave just happened to her. With her pale face and dark eyes, there’s a lightness to her that is ghostly. We see her forever in a school-girl outfit, pleated skirt and sweater: it wasn’t innocence; it was detachment.

In her face and body and attitude was an expression of the unshakable confidence that comes with the serenity of freedom:  she was what the 1960s always wanted to be.



 

Thursday, January 7, 2016

Pauline Boty: Blonde on Blonde

“'Friendly, glowing, bronzed, curious, eager, impulsive: the world was all before her, and she knew it” – Margaret Drabble

Boty in motion
She looked the part. Resembled Brigitte Bardot.  A beauty. Was in the film Alfie. Flew above the great unwashed through an exertion of willpower and talent.

Pauline Boty brought Bob Dylan to England. Picked him up at Heathrow and he crashed at her pad.(That alone should get you into Wikipedia).

She looked the part. The mother lode.
Painted Marilyn Monroe, Elvis and Jean-Paul Belmondo. Did collages of magazine cut-ups. Was in a Ken Russell film. Acted on the stage.

Died young so that her unborn baby would live. A dyed-blond hero.

Forgotten, hibernating, then rediscovered.

The Only Blonde in the World. 1963
A cranked-up combustion furnace of 60s pop culture who could do the Mashed Potato 'til dawn and have enough left over to mix the paint. The pure strain. The Mother Lode.

And for a brief, brush stroke of time, she really was the Only Blonde in the World.