Showing posts with label leonard cohen. Show all posts
Showing posts with label leonard cohen. Show all posts

Wednesday, May 14, 2025

Nico: The Wayward Beauty of Solitary Confinement

 



“I have been in the highest and the lowest and both places are empty.” - Nico

 

Why even ask—Who is Nico — she that was born Christa Päffgen in Cologne in 1938? Survives the Nazis... Then in Paris. She’s 16 and meets Coco Chanel. Models. Gets bored. Travels to New York City. Studies acting with Lee Strasberg. Talks to Marilyn Monroe.

1959. In Rome. Hello to Frederico Fellini. Gets bit part in La Dolce Vita. Really, who is she?

Back in New York City. 1963. Sings ‘My Funny Valentine’ at the Blue Angel Club. Can barely stay in key, but that makes it better. A determined contralto if you will. Rarely smiles.


Hey, she’s over in Paris. With Serge Gainsborough and then pregnant by Alan Delon. Has a son. Leaves him behind.

Hangs with Brian Jones. He plays, along with Jimmy Page, on her first EP.

Really, how does this happen to one person?

In London, meets Andy Warhol’s friend, then off to New York City again. Calls Andy. Her first line to him. “I only like the food that floats in the wine.” Warhol is thunderstruck.

Nico enters Warhol's Factory and dethrones Edie Sedgwick. Such is life.  Meets Bob Dylan. He gives her a song.

Stars in three Factory films. Andy becomes manager of The Velvet Underground. Says he wants Nico to sing. Member Lou Reed disagrees. Nico sings. She is what happens when the Weimar meets the Haight.

Parts from the Velvets. Makes music of her own. Now to Los Angeles. Beds Jim Morrison. Next morning, Morrison is found naked, dancing on a rooftop. Nico, also naked, is crying in a garden. Lots of drugs. Goes from Jim to Iggy Pop. Interesting progression.

Records music. Takes lovers. Wanders the world. Dies in Ibiza, 1988. Age 49. Today, revered as a Goth pioneer.

Some artists follow a muse; for others, the muse is themselves. It’s an involuntary reaction. Nico lived as she did to stay alive. A soul in solitaire. 

Look closely, her eyes are rimmed with frost, for her beauty comes from the pain you see when a face is frozen by tears.

 

#nico #andywarhol #loureed #jimmorrison #thedoors #iggypop #goth #music #blog #pop #1960s #ChristaPäffgen #leonardcohen #bobdylan #fellini #velvetunderground

Saturday, April 4, 2009

Phil Spector: An Inescapable Wall of Sound

When the Wall of Sound turned into bricks
We’ll kill the fatted calf tonight
So stick around
You’re gonna hear electric music
Solid Walls of Sound

- Elton John

Nobody better personifies the quintessence—and possibilities—of 60s pop music more than Phil Spector.

On a higher level, he is the single most important producer in rock history—one of the few of whom you can say, if he had never existed, what comes out of the radio today would be different.

But he was, and is, a ‘difficult’ man.

It’s quite possible that sometime during the late 1960s, he began to crack. Or maybe he got the pills-booze quotient wrong, as has been surmised. Whatever happened, Phil began to lose it. And the hits stopped forever.

Phil has discussed his mental illness. His father committed suicide when Phil was nine.

It appears 69-year-old Spector is in jail for eighteen years, having been convicted of second-degree murder. He shot and killed an actress in the foyer of his home. Phil has an extensive history of domestic abuse.

Spector has pulled many guns on many people, including Leonard Cohen and John Lennon. When he was arrested for murder in 2003, Spector had more than ten handguns in his house. That’s a lot.

Speaking of a lot, I’m reading over a list of Spector’s hits: Be my Baby, Da Do Ron Ron, You’ve Lost That Lovin’ Feeling, Then He Kissed Me, Walkin’ the Rain, Spanish Harlem, Unchained Melody…It goes on for a while. Pop music offers us few geniuses, but if put to the test, I’d say Spector has his foot in the door.

Technically, we know how he developed his famous ‘Wall of Sound’. But nobody, not even when using Phil’s studio engineers, has been able to reproduce it.

Author Tom Wolfe wrote a famous essay about him called ‘The First Tycoon of Teen’. Phil did indeed make millions, sometimes in questionable ways. He also made a lot of people big stars.

He produced the Beatles’ last album ‘Let it Be’, although Paul McCartney hated the results – and still does — though McCartney is getting a little cranky in his dotage.

Rolling Stone magazine ranked Spector # 63 in the 100 Greatest Artists of All Time.

Spector is renowned for his ability to scream at people, for up to half an hour, without losing his voice. He’s also known to be generous to friends and strangers in financial trouble.

He stands 5’ 5”, wears elevator shoes, lived as a recluse, and went weeks without leaving the walls of his mansion.

For decades people have wondered why such a small man ever felt compelled to create such a gargantuan sound.

Phil’s life is about walls...some keep people in, some keep people out. Sometimes they're made of music, sometimes brick. It's no difference to Phil. For like any significant artist, he knows the only way to create is to create alone.

It's been said that silence is a sound you can't hear. Be it ironic, merciful, or both, Phil Spector must face an inescapable Wall of Sound until the day he dies.